今日，当图形界面成为标准，交互从键盘转向屏幕，用户无需系统学习即可开箱使用时，人们才逐渐意识到，那些看似突如其来的变革，其实早已在过去被完整预见。
Beginning with Heidi: Girl of the Alps (1974), Miyazaki’s main work under Takahata shifted to layouts. These set up the camera, backgrounds and animation, and the workload was so huge that Miyazaki couldn’t contribute to the creative side. “Heidi was entirely Paku-san’s world,” Miyazaki said, using Takahata’s nickname. He was often too busy drawing to attend Heidi’s meetings.4
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